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"I hasted the message to our liege the king, and straightway he had me to his presence. He was frighted even to the marrow, and was minded to give order for your instant enlargement, and that you be clothed in fine raiment and lodged as befitted one so great; but then came Merlin and spoiled all; for he persuaded the king that you are mad, and know not whereof you speak; and said your threat is but foolishness and idle vaporing. They disputed long, but in the end, Merlin, scoffing, said, 'Wherefore hath he not NAMED his brave calamity? Verily it is because he cannot.' This thrust did in a most sudden sort close the king's mouth, and he could offer naught to turn the argument; and so, reluctant, and full loth to do you the discourtesy, he yet prayeth you to consider his perplexed case, as noting how the matter stands, and name the calamity -- if so be you have determined the nature of it and the time of its coming. Oh, prithee delay not; to delay at such a time were to double and treble the perils that already compass thee about. Oh, be thou wise -- name the calamity!" I allowed silence to accumulate while I got my impressiveness together, and then said: "How long have I been shut up in this hole?" "Ye were shut up when yesterday was well spent It is 9 of the morning now." "No! Then I have slept well, sure enough. Nine in the morning now! And yet it is the very complexion of midnight, to a shade. This is the 20th, then?" "The 20th -- yes." "And I am to be burned alive to-morrow." The boy shuddered. "At what hour?"It was a soft, reposeful summer landscape, as lovely as a dream, and as lonesome as Sunday. The air was full of the smell of flowers, and the buzzing of insects, and the twittering of birds, and there were no people, no wagons, there was no stir of life, nothing going on. The road was mainly a winding path with hoof-prints in it, and now and then a faint trace of wheels on either side in the grass -- wheels that apparently had a tire as broad as one's hand. Presently a fair slip of a girl, about ten years old, with a cataract of golden hair streaming down over her shoulders, came along. Around her head she wore a hoop of flame-red poppies. It was as sweet an outfit as ever I saw, what there was of it. She walked indolently along, with a mind at rest, its peace reflected in her innocent face. The circus man paid no attention to her; didn't even seem to see her. And she -- she was no more startled at his fantastic make-up than if she was used to his like every day of her life. She was going by as indifferently as she might have gone by a couple of cows; but when she happened to notice me, THEN there was a change! Up went her hands, and she was turned to stone; her mouth dropped open, her eyes stared wide and timorously, she was the picture of astonished curiosity touched with fear. And there she stood gazing, in a sort of stupefied fascination, till we turned a corner of the wood and were lost to her view. That she should be startled at me instead of at the other man, was too many for me; I couldn't make head or tail of it . And that she should seem to consider me a spectacle, and totally overlook her own merits in that respect, was another puzzling thing, and a display of magnanimity, too, that was surprising in one so young. There was food for thought here. I moved along as one in a dream. "At high noon." "Now then, I will tell you what to say." I paused, and stood over that cowering lad a whole minute in awful silence; then, in a voice deep, measured, charged with doom, I began, and rose by dramatically graded stages to my colossal climax, which I delivered in as sublime and noble a way as ever I did such a thing in my life: "Go back and tell the king that at that hour I will smother the whole world in the dead blackness of midnight; I will blot out the sun, and he shall never shine again; the fruits of the earth shall rot for lack of light and warmth, and the peoples of the earth shall famish and die, to the last man!" I had to carry the boy out myself, he sunk into such a collapse. I handed him over to the soldiers, and went back. My master and thine? That is the good knight and great lord Sir Kay the Seneschal, foster brother to our liege the king." "Very good; go on, tell me everything." He made a long story of it; but the part that had immediate interest for me was this: He said I was Sir Kay's prisoner, and that in the due course of custom I would be flung into a dungeon and left there on scant commons until my friends ransomed me -- unless I chanced to rot, first. I saw that the last chance had the best show, but I didn't waste any bother about that; time was too precious. The page said, further, that dinner was about ended in the great hall by this time, and that as soon as the sociability and the heavy drinking should begin, Sir Kay would have me in and exhibit me before King Arthur and his illustrious knights seated at the Table Round, and would brag about his exploit in capturing me, and would probably exaggerate the facts a little, but it wouldn't be good form for me to correct him, and not over safe, either; and when I was done being exhibited, then ho for the dungeon; but he, Clarence, would find a way to come and see me every now and then, and cheer me up, and help me get word to my friends. Get word to my friends! I thanked him; I couldn't do less; and about this time a lackey came to say I was wanted; so Clarence led me in and took me off to one side and sat down by me. Well, it was a curious kind of spectacle, and interesting. It was an immense place, and rather naked -- yes, and full of loud contrasts. It was very, very lofty; so lofty that the banners depending from the arched beams and girders away up there floated in a sort of twilight; there was a stone-railed gallery at each end, high up, with musicians in the one, and women, clothed in stunning colors, in the other. The floor was of big stone flags laid in black and white squares, rather battered by age and use, and needing repair. As to ornament, there wasn't any, strictly speaking; though on the walls hung some huge tapestries which were probably taxed as works of art; battle-pieces, they were, with horses shaped like those which children cut out of paper or create in gingerbread; with men on them in scale armor whose scales are represented by round holes -- so that the man's coat looks as if it had been done with a biscuit-punch. There was a fireplace big enough to camp in; and its projecting sides and hood, of carved and pillared stonework, had the look of a cathedral door. Along the walls stood men-at-arms, in breastplate and morion, with halberds for their only weapon -- rigid as statues; and that is what they looked like.
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